Works in Progress

This month I decided to put together a snapshot of my current quilting and sewing projects that are all in various stages of completion. Quilters usually call them WIPs (works in progress) or UFOs (unfinished objects). The projects below aren't all of them, but they're at the top of my To Do list and I'm hoping to finish them within the next couple of months. After these are complete, maybe I'll do another post with a second batch of WIPs!

Lucy Boston Quilt

This isn't my oldest WIP, but it's definitely my favorite. It's English paper pieced and all sewn by hand. I started it in 2017 with a little kit I threw together to take with me to Dallas to visit my friend Eryn, her family and her twin newborns. Those kiddos are in school now! And my quilt is pretty close to being finished! I just need to choose a backing and quilting plan. I can't decide if I should hand quilt it -- given that it's hand pieced, do it matter to me to be able to say it's 100% hand sewn? -- or if I'd be happier with an allover longarm quilting design (and a faster finish). If I hand quilt it, I have no idea what design to use...

Fishing Net Quilt

I made this one with the intention of submitting it to my guild's quilt show in March of next year. The large scale and graphic use of color fit the modern quilt aesthetic. Bonus - it was really quick to make. The pattern is from Suzy Quilts, and I made the baby size using fabric from my stash. It's basted and just needs quilted and bound. I'll be hand quilting it using big stitches and color-matched perle cotton thread.

Solstice Roses Mini Quilt

Last year I bought a couple clearance kits from Quilty Box (RIP), and I decided to make this EPP design from Paper Pieces and Sally Kelly first. The kit came with EPP papers, an acrylic diamond template, a pack of charm squares in Sally's Soltice prints plus some solids and thread (although using my standard EPP thread for the project). I only had one issue with the fabric and had to purchase one more print to finish the piecing -- the caramel brown one by Kathy Doughty. After I get all the large hexagons in place, I'll decide what to use as the background, as the pieced element gets appliqued onto a background for finishing. (The kit minus fabric is still available here.)

Neitherlands Quilt

In 2019, my mom and I attended QuiltCon in Nashville and took the Mystery Quilt Workshop with Jen Carlton Bailly (aka @bettycrockerass). We got copies of two of Jen's new patterns at the time, Find Your Fade and Neitherlands, a big set of curvy templates in various sizes, and the choice of patterns to work on in the workshop. We both decided to make a Neitherlands block, and I finished one during our time with Jen. I made one more block when I returned home, but then I packed the project away and put it on a shelf ... until last month. I pulled the project box out again, grabbed some fabric, miscut that fabric as I knew I would (the templates and pattern are a little tricky to sort out when you haven't worked on it in a while) and then found my groove. I made 4 blocks and plan to make 3 more for a 60 x 60" quilt. Needless to say, I'm feeling pretty confident about sewing curves these days.

Macaron Mystery Quilt

 

In July 2021, I decided to participate in the Macaron Mystery Quilt sew-along organized by Cheryl Brickey of Meadow Mist Designs. For years, Cheryl has designed a quilt, generously shared the pattern for free and organized an annual quilt-along for people who would like to make the quilt in (virtual) community. (After the series ends, quilters can purchase a complete, easy-to-follow pattern if they don't want to work through each individual post from the quilt-along.)

I was in the mood for a low-stress project with a leisurely timeline -- each step of this quilt-along is published at the beginning of the month, so there's plenty of time to get caught up in between -- and I wanted to be able to use fabric already in my stash. This project began in July with a fabric pull, so I gathered my spotted background plus peaches, greens, turquoises and hot pinks. In August, I visited friends in Indianapolis and snagged a coordinating floral backing on sale at a local fabric shop, The French Seam. It was nice to have the perfect backing ready and waiting when I finally got to the stage where I needed it.

The monthly assignments took us through cutting and then piecing with each color and finally assembling blocks and the final quilt top. There was an active Facebook group (actually I think it's really active all year long!) of participants to share photos and get/give advice and kudos. Cheryl posted that there were 189 versions of the Macaron Mystery Quilt shared in her end-of-project photo parade. That's impressive engagement!

My finished quilt top was large enough that I didn't want to try basting and quilting it myself, so I took advantage of the "penny special" from longarmer Sterling LaBosky, @sterlingquiltco in Instagram, whom I have used before. Her monthly deal was this cute edge-to-edge flower design -- it's something that I never would have chosen on my own, but it brings a lot of whimsy to the quilt. I love how it turned out.

Quilt Concert: First Notes

Last summer, I joined a sew-along for the First Notes quilt, a pattern co-designed by Lissa and Cassandra. It caught my attention because it features all kinds of different block designs in different sizes, which isn't really something I've done before. My fabric choices were all from my stash, which may be why they're a little wild and crazy -- lots of Rifle Paper Co. florals plus blenders and crossed fingers that it would all make sense together in the end.

The sew-along pace was one block per week, released on Fridays, and that turned out to be a pretty good fit for my schedule. I made most of my blocks over the weekends and didn't feel rushed.

It's interesting to see the blocks individually first. In my finished quilt, all the florals kind of muddy the design a bit and you lose track of some of the blocks.

At the start of the series, Lissa and Cassandra provided a coloring sheet that turned out to be tremendously helpful for me. It helped me figure out what fabric I'd be putting where before I cut anything out, and then I used it frequently as a reference to make sure I was everything was in the right place.

Around this time, I wanted to see how things were starting to come together, so I put the blocks up on my design wall. Interesting!

Then it was back to making blocks, with some large ones and some small ones and some just filling in the gaps.

That pinwheel above, which is pretty small, is one of my favorites. I used that caramel-colored print in another project and was happy to incorporate it here, too. I never would have expected that color to be so useful, but now I keep an eye out for it to add to my stash. It's the perfect warm, not-brown blender.

And that's all of them! So how do they look all together? Like I said earlier, pretty wild, but it's good to push your boundaries every once in a while, right?

I used a bright navy solid for the backing (from my stash) and free motion quilted it myself using a variegated blue thread. I dealt with many, many thread breaks and was very close to losing my patience, but I persevered and got it done. It's not perfect, but it's finished. 

From the beginning, I knew I would donate this quilt to a child in need through Project Linus, so I look forward to dropping it off for distribution soon. I don't think I'll ever use quite so many busy prints all in the same quilt, but it was good experience.